Temple bells chime across
the still silence of the desert, the peals and a clear sound that ring for a
while, resound, and are then swallowed up into a great nothingness. It is a
sound that bathes the down with an enchanted, magical beauty that gives
definition to a life of harsh realities. In sand and scrub, people have
found not discomfort but faith, a force that gives them a positive radiance
and the mettle to live a life that is a celebration of their energies and
their beliers.

Every home is Rajasthan had its deities those from the Hindu
pantheon; fold heroes, mother goddesses, sati matas, even maharajas who ran
their kingdoms like exemplary welfare states. Every village has its
temples-from the vermilion daubed stones revered under the thickening trunks
of ancient trees to carved temples that celebrate the spirit of their faith.
Every faith has its gods-whether Hindu, Islamic, or Jain, in the nature of
gurus, or as the cosmos itself. And every one of them has a place in
Rajasthan, not only tolerant of each others religions, but also
participating in many of the events, or letting faiths intermingle to create
a new vocabulary for those who believe in gods, and the power of gods.
The warriors spirit is a result of this faith. It is the creed of the
warrior to lay down his life in the protection of his motherland, a belief
so strongly instilled that a spouse worships her husband in the image of god
when he goes out to the battlefield this even when, should he be
slain, the wife would probably have to join in the jauhar procession,
jumping into a fiery pit in a mass ritual of suicide. It was this faith too
that led them to live with such zest, coloring their lives as they did their
clothes, with the passion they believed the gods invested in their days
spent on earth.
The religious kaleidoscope is truly amazing-the
chanting of Jain hymns, and their observance of strict austerities is at
odds with the bhil zest for ritual festivities in honor of the gods, or
event the Rajput exuberance in their faith, and in the preparations leading
up to a religious ceremony, or the Muslim month of mourning and fasting even
in the harshest climatic conditions. The Jains of not eat after sundown, the
Muslims share their sweet porridge of sewaiyan with others on the occasion
of Id, and the Rajputs sacrifice goats before their gods, and serve it as
consecrated food. Yet, between them, there has always been a sense of
harmony. The Rajput kings not only gave permission to the Muslims and Jians
to build their religious shrines, they also, often gave them the lands on
which to do so.
These shrines were often, also profusely carved
and sculptured, for the people invested their faith in creating temples and
mosques of great and abiding beauty. Such shrines were also meeting point
for the people, not only at the time of religious festivities, but even
otherwise, and it was therefore usual to have plantations, even orchards,
surround them. A well was essential for providing the water required to
bathe the sanctum, but also for quenching the thirst of travelers who would
seek shelter at temples on their journeys across the desert.

Given the hostile climate and landscape, the people found comfort too in the
protection of the trees and their wildlife, investing them with spirits, so
that three felling was not encouraged, and even the peacock, monkey, deer
and other animals were sanctified by faith. In the case of the Bishnois,
followers of a 15th century saint, Jambhoji, such protection became a credo,
and they became staunch conservationists of their environment.
For the Rajputs, their worship is also a form of paying obeisance to their
ancestors, for they believe themselves descended from the very gods they
pray too, and have the genealogies to prove it. At all important temples and
shrines, there are Bhats, keepers of the family records whose duty it is to
maintain genealogies, tracing them back not just a few generations
but-provided you have the patience to the very beginnings of time.
Most people know the clans history, and are content with their more
recent antecedents, but the royal families, and those of aristocratic
backgrounds, have written records that go back (and in great detail) to over
five hundred generations. No wonder their awesome ancestry draw such
reverence.
Since these histories were sung for patron families by
bards, the heroic deeds of there past ancestors were soon transformed into
the mythic, deifying earlier generations. The people of Rajasthan seem so
affected by their pasts: it often seems more real than even the present they
live in.
Some
Religion Sites: Karni Mata Temple Deshnokh is the
site of the Karni Mata Temple dedicated to Karni Mata, a mystic. Legend goes
that she foretold the victory and success of Rao Bika and the prophecy came
true. Today along with her, thousands of rats are revered her. Devotees are
housed in these rats and consequently they must be protected and well fed.
The intricate carvings on the marble gateways and the carved
silver gate at the entrance of the temples are remarkable.
PuskarThe picturesque township and the sacred lake of Pushkar
lies 11 km. from Ajmer. Pushkar is separated from Ajmer by the Nag Pahar
(Snake Mountain). This beautiful lake surrounded by bathing ghats has its
religious significance rooted in a myth. According to the Padma Purana, Lord
Brahma was in search or a suitable place for a Vedic yajna (sacrifice).
While contemplating, a lotus fell from his hand on the earth and water
sprouted from three places. One of them was Pushkar, and Brahma decided to
perform his yajna here.

A lively and gigantic fair is held every year on Kartik Poornima (full moon
in October-November). About 1,00,000 pilgrims and ascetics from far and near
gather here to take a dip in the holy lake.
Dilwara
Jain temple architecture is characterized by its profusion of sculpting. The
stone is molded, chiseled, scooped out and developed so that each grain
becomes a part of the grand design. Nor are patterns always repeated. There
is architectural embellishment of such amazing fluidity that is impossible
to disassociate architecture from sculpture.
Mount Abu has some
of the most famous Jain temples in India. These artistically carved temples
built between the 11th and 13th century are dedicated to the Jain
Thirthankars. This complex of four temples has marvelously carved pillars,
ceilings, architraves, door casings and exquisite sculptures on porticos.
Both the fineness and enormity of the carvings leaves the visitor
spellbound. Just one temple, the Vimal Vasahi is said to have taken 14 years
to make with the combined efforts of 1200 laborers and 1500 stonemasons.
RanakpurRenowned for its marvelously carved temples
in amber stone, Ranakpur is one of the five holy spots of the Jains. Rana
Kumbha of Mewar gave the land in a grant to the Jains. These 15th century
temples are fine examples of man's devotion to his deity, Nestling in the
Aravalli hills and rising three story's the main temple is supported on
1,444 exquisitely carved pillars, each distinct from the other. The entire
temple including its ceilings and arches is sculpted with arabesques, motifs
and statues. The remarkable marble plaque of Lord Parshwanath, a Jain deity
is finely detailed.
Other temples nearby have sensuous carvings
of warriors, horses and solar deities riding chariots.
No wonder
that Ranakpur is popular with those interested in architecture and history.
Nathwara Built in the early 18th century, this simple
shrine is one of the most celebrated of the Vaishnava shrines of Shri Nathji
or Lord Krishna. Thousands of pilgrims from all parts of India visit this
shrine during Diwali, Holi and Janamashtami.
The painted walls at
the entrance herald you to this temple, which contains an image, carved out
of a single block of black marble. Faced by Aurangzeb's persecution, Goswami
Dev carried this idol from Mathura (in Uttar Pradesh) in a chariot, headed
towards Udaipur. At Nathdwara, however, the wheels of the chariot sank in
the soft soil, and this was considered, as an act of divine will. It was
here that the people decided to consecrate the image of lord Krishna.
This is also an important craft center-cloth painting and miniatures are
created by dozens of artists of this town.
DargahAt
the foot of a barren hill, is situated perhaps India's most important
pilgrimage center for Muslims. It is the splendid tomb of the Sufi saint
khwaja Moinuddin Chishti, more popularly known as Khwaja Saheb or Khwaja
Sharif. The shrine is next only to Mecca or Medina for the Muslims of South
Asia. Akbar used to make a pilgrimage to the Dargah from Agra once a year.
The mausoleum has a gigantic gate, which was built by the Nizam of
Hyderabad. The two massive cauldrons in the courtyard are of particular
interest. The saint's tomb with a splendid marble dome is in the center of
the second courtyard, which is surrounded by a silver platform.
The shrine attracts thousands of pilgrims during the Urs-commemorating the
death anniversary of the death anniversary of the Saint, held from the 1st
to 6th day of the Islamic month of Rajab. A colorful fair that springs up
during this time is the major attraction.